Monthly Archives: March 2017

Evelyn Eman Delmar

From the Archives: A Feast of Fests

Note to Readers – Every now and then, I will re-post a blog entry that has withstood the test of time. Whether you missed it the first time ‘round or read it years ago, I feel it’s worth sharing again. I chose A Feast of Fests from April 20, 2014 – and updated it — because we’re entering a new season of literary celebrations that every booklover should know about.

When the mind is hungry, few things satisfy as well as a good book. Fortunately, there are feasts around the country throughout the year to fulfill every taste. From small block parties to massive convention exhibits, in every size and genre, there is a book event waiting for you. With the long winter finally departing, the number of book fests, fairs, exhibits, conventions and all variety of literary celebrations is growing. This is good for writers, readers and the publishing industry.

In the age of Amazon and other online booksellers, you might feel inclined to lounge in your … whatever you lounge in … and simply connect through the internet to someplace in cyberspace for a book you’ve preselected in your mind. It’s fast. It’s convenient. It’s also impersonal, colorless, bland. When is the last time, ordering online, you discovered a book or spoke with its author, experienced the “bookness” of books with all your senses (yes, a book can even inspire a taste on the tongue), felt exhilarated as if you were a guest at a banquet? Book fests can offer all these rewards and more.

Book fests may simply be large book sales, but most combine presentations, workshops, readings, book signings, exhibits and social gatherings, along with sales.

The Book Reporter, The African American Literature Book Club (AALBC) and Everfest offer expansive lists (with links) of literary events in 2017 and 2018.

I’ve chosen the following 10 upcoming festivals around the U.S. to get you started:
Unbound Book Festival — (April 21)
Pen Word Voices — (May 1-7)
Printers Row Literary Fest — (June 10-11)
Lewisburg Literary Fest — (August 4-5)
National Book Fest — (September 2)
Beast Crawl — (September 2)
Iowa City Book Festival — (October 10-15)
Rocky Mountain Literary Festival — (October 21)
Boston Book Festival — (October 28)
Wordstock: Portland’s Book Festival — (November 11)

If you’re looking for a way to spice up your literary life in 2017 and 2018, feast on a book fest!

Recommended

Here’s a great concept every booklover can participate in: READ AMERICA READ. Read America Read was founded to get America reading again. Free books are left in bus stations, trains, cafes and other locations for anyone to take home. It’s a mini book fest, one book at a time, that has been going strong every month since October, 2015. It happens the last Saturday of every month. The next one will be Saturday, April 29th. Many writers, editors, publishers, and the general public who loves books have been doing this… you can, too!

Evelyn Eman Delmar

Drawn to Children’s Literature

What do authors Ludwig Bemelmans (Madeleine), Robert McCloskey (Make Way for Ducklings), Maurice Sendak (Where the Wild Things Are) and Chris Van Allsburg (Polar Express) have in common? They are all recipients of the Caldecott Award for their illustrations in the aforementioned adored children’s books. The annual Caldecott Award is well known. But do you know the man who inspired the award and whose birthday is March 22nd?

Randolph Caldecott (1846-1886) grew up with a passion for drawing. A keen observer of his surroundings, the self-taught Caldecott was often seen sketching animals, people, buildings and landscapes. At the age of 15, his sketch of a disastrous fire at the Queen Railway in Chester appeared in the Illustrated London News together with his account of the blaze.

Despite his son’s obvious gift, Caldecott’s businessman father dissuaded his young son from pursuing his passion, urging him to go into banking. During his seven years as a bank clerk, Caldecott took nighttime art classes at the Manchester School of Art. After his bank job took him to London, Caldecott enrolled in the Slade School.

As his drawings began to be accepted by various publications and he felt he could support himself through his art, Caldecott grew confident enough to quit his banking job at the age of 26. He became a prolific illustrator of novels and accounts of foreign travel. He was tapped to illustrate books of Washington Irving’s and other authors. His sense of humor was evident in cartoons, sketches of politicians and other famous people, and drawings of the fashionable hunting society that appeared in such notable magazines as Punch and London Society. His sculptures and paintings were exhibited in the Royal Academy and galleries. Among well-known admirers of his work were Gaugin and Van Gogh.

In 1877, Caldecott was asked to illustrate two children’s books for Christmas. They were so successful, the partnership continued with two books issued every Christmas until Caldecott’s death. Increasingly, Caldecott illustrations began to populate more children’s books, written by himself or others. By 1884, sales of Caldecott’s Nursery Rhymes had reached 876,000 copies (of twelve books) and he was internationally famous. He became one of the three most influential children’s illustrators in the nineteenth century, along with Kate Greenaway and Walter Crane.

A childhood illness took its toll on Randolph Caldecott. After a difficult voyage to the United States in February 1886, he became sick and died in Florida at the age of 40. He and his wife are buried in St. Augustine.

Fifty-one years after his death, the American Library Association honored Randolph Caldecott for his contributions by naming a prestigious award for “the most distinguished picture book for children” published in the United States, beginning with 1937 publications, and giving that award to the book’s illustrator, for the first time in 1938. All Caldecott Medal winners are listed at the ALA website.

Evelyn Eman Delmar

From the Archives: The (P)luck of the Irish

Note to Readers – Every now and then, I will re-post a blog entry that has withstood the test of time. Whether you missed it the first time ‘round or read it years ago, I feel it’s worth sharing again. I chose The (P)luck of the Irish from March 15, 2015 because we’re coming up on St. Patrick’s Day and because some of our most colorful literature are gifts from our Irish brethren (on St. Paddy’s, we are all Irish!).

Whether or not you wear green, eat bangers and mash, lift a pint of Guinness and sport a shamrock pin that says “Kiss Me, I’m Irish” on St. Patrick’s Day, it’s a great day to consider the contributions of Irish literature to the English lexicon.

The Irish language infuses one of the oldest vernacular literatures in western Europe (after Greek and Latin). In fact, its writing includes Latin, as well as Irish and English. The Latin dates back to the 7th century, written by monks. English was introduced in the 13th century with the Norman Conquest of Ireland.

Until the 1800s, the Irish language dominated Irish literature. In the latter part of the nineteenth century, English rapidly became the main language in society and in literature. A Gaelic revival took place at the end of the century but it’s the authors writing in English who have had the widest, most enduring success.

Perhaps the most famous Irish author, certainly the one who had greatest impact on English language literature of the 20th century, was James Joyce. I posted a piece about him, The Joy in Joyce, on this blog site last June. A long list of other notable Irish authors includes Jonathan Swift, W.B. Yeats, Oscar Wilde, Samuel Beckett, Bram Stoker, George Bernard Shaw, Edna O’Brien, Seamus Heaney, Brian Friel, Colm Toibin and John Banville. Yeats, Shaw, Beckett and Heaney were recipients of the Nobel Prize. For such a small country, Ireland has attained a high visibility in the literary world.

Many Irish-born authors did not remain in Ireland but they brought the rich cultural heritage and the spirit of the island into their writing. The geography, the history, the very air and water infused the themes and the cadence of the novels, memoirs, poetry and plays produced by Irish writers.

Some authors and books to start your Irish journey might include:
Oscar Wilde: The Picture of Dorian Gray (novel); The Importance of Being Ernest (play).
Bram Stoker: Dracula (Gothic horror novel).
W.B. Yeats: The Collected Poems (poetry).
G.B. Shaw: Pygmalian (play); Candida (play).
James Joyce: Dubliners (short stories); Ulysses (novel).
Maeve Binchy: Circle of Friends (novel); Evening Class (novel.
Seamus Heaney: District and Circle (poetry); Opened Ground (poetry).
Edna O’Brien: Saints and Sinners (short stories); The Country Girls (Trilogy).

There’s an Irish saying, “If you’re enough lucky to be Irish… You’re lucky enough!” I’ll add to that, “Even if you are not Irish… luck will find you when you read Irish literature!”

Evelyn Eman Delmar

Court-ing Readers

Ever been involved in a court case? If you have, you know the power and perils inherent in our judicial system. I was summoned for jury duty (again) and was reminded of the drama of trials, the impact of verdicts. It’s a natural platform on which to build great novels.

Actual courtroom procedures, at least in the U.S., tend to move slowly and methodically. The challenge of novelists is to retain the reality of trials while crafting a gripping story. The most successful authors take just the right degree of artistic license in their presentations. Four of our most prolific and reliable contemporary authors of courtroom novel are Scott Turow, Jodi Picoult, John Grisham and Michael Connolly; they’ve produced too many books in this realm to list but you’ll find them in your local bookstore or library.

Not surprisingly, many of the best novels that include trials (usually following a death) as either a focal point or a catalyst have been adapted into successful films. But even if you’ve already seen a novel-turned-movie, it’s worth going back to the writing that spawned the film; it’s some of the most compelling writing in literature.

How many of these great novels with (U.S.-based) trials have you read:
An American Tragedy – Theodore Dreiser, 1925
Their Eyes Were Watching God – Zora Neale Hurston, 1937
Native Son – Richard Wright, 1940
The Caine Mutiny – Herman Wouk, 1951
Anatomy of a Murder – Robert Traver, 1958
To Kill A Mockingbird – Harper Lee, 1960
The Seven Minutes – Irving Wallace, 1969
The Handmaid’s Tale – Margaret Atwood, 1985
The Bonfire of the Vanities – Tom Wolfe, 1987
Compelling Evidence – Steve Martini, 1992
Snow Falling on Cedars – David Guterson, 1995
Defending Jacob – William Landay, 2012