Monthly Archives: October 2017

The Pendulum and the Pit

As a public service to authors, I’m making my annual pilgrimage to the choppy waters of self-publishing. What leads me back to this topic is the confluence of book industry news, NaNoWriMo and current TV commercials that demonstrate the pull and the pitfalls facing aspiring authors.

The industry news is that self-published books continue to hit record numbers, year over year. Bowker, the company that issues and tracks ISBNs, reported that 786,935 ISBNS were issued to self-published authors in 2016, an 8.2% increase over the previous year – and a remarkable 218% increased since 2011. In 2016, nearly 75% of those books were print, an increase of 11.3%; 25% were ebooks, a decline of 3.2%. It should be noted that eBooks published through Amazon’s KDP (Kindle Direct Program) are excluded from Bowker’s stats because Amazon issues ASIN (not standard ISBN) numbers.

So, the pendulum continues to swing in the direction of self-published books.

National Novel Writing Month (NaNoWriMo) begins its 18th year on November 1st (they encourage earlier online registration). Since 1999, NaNoWriMo has inspired millions of aspiring authors to attempt to write a 50,000-word novel in 30 days. The free program, providing guidance and support to writers, drew more than 430,000 finished manuscripts in 2015 alone. Over the life of the program, it reports that 250 of its participants have seen their manuscripts sell to traditional publishing houses. Presumably, many more manuscripts went on to be self-published.

It’s the self-publishing part of my 3-piece post where I shout from the roof-top: CAVEAT EMPTOR! If you’ve followed my blog over the past 5 years, you know I view self-publishing as an excellent option for authors … if they understand what it entails and are prepared to do all that it takes to be successful.

If your manuscript is your brainchild, don’t you want to protect and nurture it through its gestation, birth and life? Because you love your brainchild and are eager to give it a meaningful life, you may be susceptible to commercial promises and glitzy websites that sell snake oil in the guise of dreams.

A current TV commercial promises they’ll do everything for you and guarantee your book will be placed in bookstores. BEWARE: No brick and mortar bookstore guarantees it will accept a book, even from traditional publishers; many won’t even consider self-published books.

You get what you pay for isn’t a given with many of these companies; you will be squeezed out of your money only to end up with a garage full of books collecting dust. And just because your self-published book may be offered through Amazon doesn’t mean anyone will notice or buy it.

You wouldn’t hire someone to care for your child without doing due diligence about their experience, qualifications and costs. You would decide in advance how much control you want to retain over decisions affecting your child. You would ask experienced parents for referrals and if you didn’t already know other successful parents, you would seek out reputable parent networking groups.

You can’t re-birth a child and it’s almost equally impossible to successfully re-publish a failed book. So study the territory before you go forward. The path to that great reward at the other end is fraught with landmines. My Book.ed blog post of February 25, 2013, The Good, the Bad and the Ugly About Self-Publishing is a good starting point.

Love what you do and do what you love. Don’t listen to anyone else who tells you not to do it. You do what you want, what you love. Imagination should be the center of your life. — Ray Bradbury.

Update from the Archives: Paperbacks – The Hybrid Book?

Note to Readers – Every now and then, I will re-post a blog entry that has withstood the test of time. Whether you missed it the first time ‘round or read it years ago, I feel it’s worth sharing again. I chose Paperbacks—The Hybrid Book? from August 10, 2014 after discovering that I had to adjust my old bookshelves to hold my new paperbacks since book dimensions have changed. That’s not all that has changed in the publishing world so it’s worth looking at the history of paperbacks… you might be surprised. (By the way, I never did buy an eReader.)

When I’m home, I prefer to read hardcover books but when I travel, I choose paperbacks. The reason is obvious: portability. Eventually, I will give in and get an eReader because it trumps paperbacks for portability, except that paperbacks don’t require battery power. With digital books, I will miss the sensory pleasures one gets with the touch or smell of paper that paperbacks offer. Even with an eReader, I’ll probably still carry a paperback when I travel.

I hadn’t given much thought to the health of the paperback industry until a couple of months ago when I saw an obituary for a man named Oscar Dystel. No, I hadn’t heard of him either, but I learned he was the publisher who “saved the paperback” in the mid-1950s.

When Dystel arrived at Bantam Books, founded in 1945 to maximize profits from new paperback production advances, the company had gorged on success but overextended itself and was on the brink of bankruptcy. As Bantam’s new president, Dystel reduced inventory while expanding publication to classics, school and children’s books. He also had a keen sense for what the public would respond to: appealing covers on the outside and riveting stories on
the inside. In just a few short years, he turned around Bantam Books, setting new standards that other publishers followed.

Another major paperback publisher, Penguin, celebrated its history in 2009 with a commemorative retrospective book, The Book of Penguin. It opens, “This is a book about the most advanced form of entertainment ever. You can pause it at any time. Rewind and replay it if you miss a bit … It’ll fit in your pocket. It’s interactive … It’s pretty cheap. It’s completely free to share. And it lasts a lifetime. This is a book about books.”

In the five years after that self-celebration, eBooks swept the market. In 2011, Amazon reported that eBooks outsold paperbacks and hardcovers combined. The upward trajectory of eBooks continued, at the expense of paperbacks. The 2013 BookStats report noted that eBook sales grew 45 percent since 2011, capturing 20% of the trade market. More ominously, Publishers Weekly said trade paperbacks saw a sales decline of 8.6 percent and total mass-market paperback sales fell by 20.5 percent between 2011 and 2012.

Before you mourn the death of paperbacks, consider this: sales reports don’t account for secondhand sales. There are no secondhand eBooks but secondhand paperbacks are wildly popular. Also, there are some genres that don’t sell well as eBooks but flourish in paperback form; popular narrative nonfiction and the pop-science books, for example.

The strongest hope for the continuation of paperbacks may lay with the intense market interest in indie books, a key force behind the growing popularity of indie bookstores. Readers are searchers. The physicality and staff experience offered by those stores offer “discoverability” – an element missing from digital books and online booksellers. Paperbacks make discoverability more affordable.

The role of books in all their forms is evolving. Fortunately, there’s a place for all of them.

Update: Sales of consumer e-books plunged 17% in the U.K. in 2016, according to the Publishers Association. Sales of physical books and journals went up by 7% over the same period, while children’s books surged 16%.

The same trend is on display in the U.S., where e-book sales declined 18.7% over the first nine months of 2016, according to the Association of American Publishers. Paperback sales were up 7.5% over the same period, and hardback sales increased 4.1%.

According to the Pew Research Center, 65% of Americans reported reading a printed book in the past year, compared to only 28% who read an e-book. Sales of e-readers declined by more than 40% between 2011 and 2016.

Harvest Time for Great New Books

October isn’t only for harvesting crops from the field. It’s also the start of the two most bountiful months for literary fiction from the most acclaimed authors. You’ll also see books in other categories by best-selling and award-winning authors spill fourth in a cornucopia of tempting delights. Why is this? And what is a cash-challenged booklover to do?

The approaching winter signals more time indoors and a host of holidays, a perfect confluence for book sales. Book stores start setting up holiday displays in October. Publishers want their new books to be front and center. The uptick in competition for your attention begins in October with a steady drumbeat you’ll remember when it’s time to choose gift books and your own reading list. The best, the brightest and the most popular are rolled out with great fanfare.

Another reason for the spike in new titles from top authors is the timing of submissions for major book awards: autumn is awards season. The 2017 National Book Award, for example, considers books that were published between December 1, 2016 and November 30, 2017. Like film studios jockeying for timely placement toward the eligibility deadline, publishers want their best books to be buzzing in the judge’s minds.

Check out this smorgasbord of great new releases in just-about every genre:

Novels
Manhattan Beach – Jennifer Egan
Reservoir 13 – John McGregor
The Rules of Magic – Alice Hoffman

Speculative Fiction
Future Home of the Living God – Louise Erdrich

Science Fiction
Artemis – Andy Weir

Legal Thriller
The Rooster Bar – John Grisham

Biography
Leonardo Da Vinci – Walter Isaacson

Memoir
Where the Past Begins – Amy Tan

History
Greater Gotham – Mike Wallace

Politics/Current Events
We Were Eight Years in Power – Ta-Nehisi Coates

Science
The River of Consciousness – Oliver Sacks

Short Story Collection
Fresh Complaint – Jeffrey Eugenides

Essays
The Collected Essays of Elizabeth Hardwick

Young Adult
Turtles All the Way Down – John Green

The flip side of the booklover’s literary buffet is the cost of obtaining so many prize reads. My suggestion is to visit your local independent book store where staff is likely to be more familiar with the books they sell and can guide you to the most rewarding reads for your interests and within your budget.

Once you’ve run through your budget and have only pocket money to spare, head to the nearest public library that has a used book store. This is also the season the library has to make room for new editions by moving a substantial number of books to their store. You won’t find the best just-released books there but you have a good chance to snag the best books of the past three years, as well as older books you’ve had on your reading list. You’ll get these books for a bargain while helping to support your library.

If you also need to make room on your shelves by letting go of some books, consider donating them to your library. What goes around comes around.

You Lovely Island

Whatever you thought you knew about Puerto Rico has probably been changed by the news and images coming from the Caribbean’s “Rich Port” in the days since Hurricane Maria devastated the island. Maria’s wrath made history in the Caribbean and its impact on the United States will likely also become historic: economically, culturally and politically.

It’s time to reconsider Puerto Rico. Many great books bring it to life, opening the door to the island and its people, the past and the potential for our shared future. They include:

Non-Fiction
Vida – Oscar Lewis
Puerto Rico, A Political & Cultural History – Arturo Morales Carrión
When I Was Puerto Rican – Esmeralda Santiago
History of Puerto Rico: A Panorama of Its People – Fernando Picó

Fiction
Eccentric Neighborhood – Rosario Ferré
Stories from Puerto Rico – Robert L. Muckley & Adela Martinez

Anthology
Boricuas: Influential Puerto Rican Writings – Roberto Santiago

Poetry
Song of the Simple Truth: The Complete Poems of Julia de Burgos – Julia de Burgos

“Immigrant goes to America,
Many hellos in America;
Nobody knows in America
Puerto Rico’s in America!” – America (from West Side Story) – lyrics by Stephen Sondheim